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Thursday, February 28, 2009

I always knew that I didn’t really care for Final Fantasy IX (the best of the series IMO), because I am not fond of FFVII-like battle systems, esp the Avenger Mode (the original version had a different name then before), I love the fact that you can be the princess in it, and it’s as good as a story, but I just can’t stand the lack of games play-ability that it is. Yeah, you make decent weapons and I do the best I can within the limits, but no global attack points, no random draws of items, no global MP, no auto level up, not global experience, etc etc. So I was in my usual Final Fantasy VI mindset, and decided that 6 characters are really no fun to play with, esp if it’s a Princess game, so went for the most obvious idea you could have in every FF-RPG-ish game ever (and only in RPGs): give the party a more unique power-structure (instead of having everything in the party at once, control where everyone pulls their strings from, and give everyone different ideas), i.e. no more sitting around gawking for 30 minutes in the airship when they should be zooming through the skies as fast as they can, while the rest of the party does nothing (the sidekick basically can’t pull off his job if there’s nothing to do or he’s nowhere to go); having a generic mage-1 at the front of the party (thus being the biggest, strongest guy in the party, and the generic brains of the party), a clasically cute and feminine-1 at the back (thus pulling behind them the generic warriors in the party, and being the life-giver in the party, that everyone needs to have strong biceps to smash the shit out of enemies when needed), a strong female-2 and a weaker female-3 in the center (thus pulling in stuff from everyone in the party, so they can perform overall), a generic male-1 and a generic male-2 in the back (since everyone has a generic eye in the back just like in FFVII). However, instead of having what became FFVII power-structure, I also decided to throw out the awesomely-strong and extremely-mannish Cloud from VII, because Cloud was a bitch to play with, plus I hate the serious homosexual. So I created the most stereotypical

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Cyclers are a secret society that run the world. The only people who can keep track of all the cycles the Cyclers have run in the past are computerised records.
To make sure they keep the people of the world in line, these records are kept in secret locations around the world, each guarded by a Cycler. If a crime is committed against one of these records, the Cyclers are summoned by the computerised system to restart the cycle.
When Stephen Strange serendipitously stumbles across a stash of these records in England, he is obsessed by the story of a man named Eric Shanks, a Shakespearean actor who vanished, and thinks he has found the answers to the mystery of existence.But Strange has to tread carefully, because the fate of the world could rest on the actions of the Cyclers, who must be appeased in order to keep the records safe. Their means of appeasing their different gods are as follows:
– Offering up sacrifices to a cyclical deity
– Divining the cyclical future (future-seeing)
– Preempting the troubles that might threaten the cycles by sending the Cyclers back into time to stop the problem from happening
– Securing the identity of beings in the future, so that they may be summoned as Cyclers in the future (invisibility)
– Ensuring events in the future occur as they should
– Understanding the flow of time and the constant movement of time
– Predicting future events, by controlling their own future (timing device)
This game was released to the public on February 25th, 2018.This game is a quick reference to a book I wrote called “Carpe Datum” (Latin: harvest the date), which is the sequel to “Carpe Diem”. It is highly unlikely you will be able to follow the plot by just reading it, as the game explores it more clearly, but it is the primary source of information in the game. The game was written in slightly more than 2 months, so the quality may be poor in places. Because of the short amount of time spent on the game, I have no reason to continue writing in the same format. Instead, I will try to make a game with more regular updates.

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Harvesting the Date is a reference to the day in May 1940 when English actor Eric Shanks mysteriously disappeared. The book is an exploration of the concept of life.

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